Six agencies from Europe and the United States are proud to announce they have formed an alliance to enhance and expand coverage of the Games of the XXXIII Olympiad in Paris. Abaca Press (France), belgaimage (Belgium), Bildbyrån (Sweden); Icon Sport (France), PIXSELL (Croatia) and Sipa USA will leverage the talents of nearly forty of their best photographers to cover the quadrennial event.

We are thrilled to share an insightful article by Amos Struck, founder of stockphotosecrets.com and co-founder of the AI-driven stock agency stockphotos.com. In this compelling piece, Amos unveils the findings from a recent survey conducted at CEPIC 2024, highlighting the transformative impact of AI on the stock photography industry.

Are you a picture agency owner looking to sell or acquire a collection? An investor or financial analyst interested in the visual content sector? Join us on July 23, 2024, at 5 PM CET, for our insightful webinar, "How to Value a Picture Agency." This comprehensive webinar will explore the financial, operational, and strategic factors affecting picture agency valuations. Gain valuable insights from industry experts who will share anonymised real-world case studies and actionable recommendations.

We are delighted to announce that Xinhua News Agency has joined CEPIC as a new member. Xinhua News Agency, established in 1931 and headquartered in Beijing, is one of the world's largest and most esteemed providers of news and multimedia content.

Submissions to working programme of Horizon and Creative Europe

Following Meta’s proposals to update its privacy policies to allow training of AI models, societies representing copyright of visual artists, writers, performers and directors have jointly written to the Digital Regulation Cooperation Forum (DRCF), which was established in 2020 to cooperate on the regulation of online platforms, to investigate the matter.

- This information is intended for CEPIC Members ONLY -

The study, commissioned by the Art Fund Foundation (Stiftung Kunstfonds) and the Authors' Rights Initiative (Initiative Urheberrecht) and compiled by Goldmedia GmbH, shows that many visual artists are already using AI-based tools and that recipients are also open to AI art. However, the majority of the more than 3,000 artists surveyed are concerned about disadvantages and loss of income, and many express concrete demands to AI companies and politicians. The study also sheds light on the economic dimension of generative AI.